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Gone Girl

Gone Girl

Titel: Gone Girl
Autoren: Gillian Flynn
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The press adored them. The best headline: Love Finds Andie Hardy! , a 1938 Mickey Rooney movie pun only about twenty people would get. I sent her a text: I’m sorry. For everything . I didn’t hear back. Good for her. I mean that sincerely.
    ‘Coincidence.’ Boney shrugged. ‘I mean, weird coincidence, but … it’s not impressive enough to move forward. Not in this climate. You need to get your wife to tell you something useful, Nick. You’re our only chance here.’
    Go slammed down her coffee. ‘I can’t believe we’re having this conversation,’ she said. ‘Nick, I don’t want you in that houseanymore. You’re not an undercover cop, you know. It’s not your job. You are living with a murderer. Fucking leave. I’m sorry, but who gives a shit that she killed Desi? I don’t want her to kill you . I mean, someday you burn her grilled cheese, and the next thing you know, my phone’s ringing and you’ve taken an awful fall from the roof or some shit. Leave .’
    ‘I can’t. Not yet. She’ll never really let me go. She likes the game too much.’
    ‘Then stop playing it.’
    I can’t. I’m getting so much better at it. I will stay close to her until I can bring her down. I’m the only one left who can do it. Someday she’ll slip and tell me something I can use. A week ago I moved into our bedroom. We don’t have sex, we barely touch, but we are husband and wife in a marital bed, which appeases Amy for now. I stroke her hair. I take a strand between my finger and thumb, and I pull it to the end and tug, like I’m ringing a bell, and we both like that. Which is a problem.
    We pretend to be in love, and we do the things we like to do when we’re in love, and it feels almost like love sometimes, because we are so perfectly putting ourselves through the paces. Reviving the muscle memory of early romance. When I forget – I can sometimes briefly forget who my wife is – I actually like hanging out with her. Or the her she is pretending to be. The fact is, my wife is a murderess who is sometimes really fun. May I give one example? One night I flew in lobster like the old days, and she pretended to chase me with it, and I pretended to hide, and then we both at the same time made an Annie Hall joke, and it was so perfect, so the way it was supposed to be, that I had to leave the room for a second. My heart was beating in my ears. I had to repeat my mantra: Amy killed a man, and she will kill you if you are not very, very careful . My wife, the very fun, beautiful murderess, will do me harm if I displease her. I find myself jittery in my own house: I will be making a sandwich, standing in the kitchen midday, licking the peanut butter off the knife, and I will turn and find Amy in the same room with me – those quiet little cat feet – and I will quiver. Me, Nick Dunne, the man who used to forget so many details, is now the guy who replays conversations to make sure I didn’t offend, to make sure I never hurt her feelings. I write down everything about her day, her likes and dislikes, in case she quizzes me. I am a great husband because I am very afraid she may kill me.
    We’ve never had a conversation about my paranoia, because we’repretending to be in love and I’m pretending not to be frightened of her. But she’s made glancing mentions of it: You know, Nick, you can sleep in bed with me, like, actually sleep. It will be okay. I promise. What happened with Desi was an isolated incident. Close your eyes and sleep .
    But I know I’ll never sleep again. I can’t close my eyes when I’m next to her. It’s like sleeping with a spider.

AMY ELLIOTT DUNNE
    EIGHT WEEKS AFTER THE RETURN
    N o one has arrested me. The police have stopped questioning. I feel safe. I will be even safer very soon.
    This is how good I feel: Yesterday I came downstairs for breakfast, and the jar that held my vomit was sitting on the kitchen counter, empty. Nick – the scrounger – had gotten rid of that little bit of leverage. I blinked an eye, and then I tossed out the jar.
    It hardly matters now.
    Good things are happening.
    I have a book deal: I am officially in control of our story. It feels wonderfully symbolic. Isn’t that what every marriage is, anyway? Just a lengthy game of he-said, she-said? Well, she is saying, and the world will listen, and Nick will have to smile and agree. I will write him the way I want him to be: romantic and thoughtful and very very repentant – about the credit cards and the
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