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The Moors Last Sigh

The Moors Last Sigh

Titel: The Moors Last Sigh
Autoren: Salman Rushdie
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would awake to find that mischievous night-breezes had blown bush-shirts from their closets and business papers from their pending trays. Nimble-fingered draughts had untied the necks of the sample-bags, jute sacks full of big and little cardamoms and karri-leaves and cashews that always stood like sentinels along the shady corridors of the office wing, and as a result there were fenugreek seeds and pistachios tumbling crazily across the worn old floor made of limestone, charcoal, egg-whites and other, forgotten ingredients, and the scent of spices in the air tormented the matriarch, who had grown more and more allergic with the passing years to the sources of her family’s fortune.
    And if the flies buzzed in through the opened netting-windows, and the naughty gusts through the parted panes of leaded glass, then the opening of the shutters let in everything else: the dust and the tumult of boats in Cochin harbour, the horns of freighters and tugboat chugs, the fishermen’s dirty jokes and the throb of their jellyfish stings, the sunlight as sharp as a knife, the heat that could choke you like a damp cloth pulled tightly around your head, the calls of floating hawkers, the wafting sadness of the unmarried Jews across the water in Mattancherri, the menace of emerald smugglers, the machinations of business rivals, the growing nervousness of the British colony in Fort Cochin, the cash demands of the staff and of the plantation workers in the Spice Mountains, the tales of Communist troublemaking and Congresswallah politics, the names Gandhi and Nehru , the rumours of famine in the east and hunger strikes in the north, the songs and drum-beats of the oral storytellers, and the heavy rolling sound (as they broke against Cabral Island’s rickety jetty) of the incoming titles of history. ‘This low-class country, Jesus Christ,’ Aires-uncle swore at breakfast in his best gaitered and hatterred manner. ‘Outside world isn’t dirtyfilthy enough, eh, eh? Then what frightful bumbolina, what dash-it-all bugger-boy let it in here again? Is this a decent residence, by Jove, or a shithouse excuse-my-French in the bazaar?’
    That morning Aurora understood that she had gone too far, because her beloved father Camoens, a little goateed stick of a man in a loud bush-shirt who was already a head shorter than his beanpole daughter, took her down to the little jetty, and positively capering in his emotion and excitement so that against the improbable beauty and mercantile bustle of the lagoon his silhouette seemed like a figure out of a fantasy, a leprechaun dancing in a glade, perhaps, or a benign djinni escaped from a lamp, he confided in a secret hiss his great and heartbreaking news. Named after a poet and possessed of a dreamy nature (but not the gift), Camoens timidly suggested the possibility of a haunting.
    ‘It is my belief’, he told his dumbstruck daughter, ‘that your darling Mummy has come back to us. You know how she loved fresh breeze, how she fought with your grandmother for air; and now by magic the windows fly open. And, daughter mine, just look what-what items are missing! Only those she always hated, don’t you see? Aires’s elephant gods , she used to say. It is your uncle’s little hobby-collection of Ganeshas that has gone. That, and ivory.’
    Epifania’s elephant-teeth. Too many elephants sitting on this house . The late Belle da Gama had always spoken her mind. ‘I think so if I stay up tonight maybe I can look once more upon her dear face,’ Camoens yearningly confided. ‘What do you think? Message is clear as day. Why not wait with me? You and your father are in a same state: he misses his Mrs, and you are glum about your Mum.’
    Aurora, blushing in confusion, shouted, ‘But I at least don’t believe in blooming ghosts,’ and ran indoors, unable to confess the truth, which was that she was her dead mother’s phantom, doing her deeds, speaking in her departed voice; that the night-walking daughter was keeping the mother alive, giving up her own body for the departed to inhabit, clinging to death, refusing it, insisting on the constancy, beyond the grave, of love – that she had become her mother’s new dawn, flesh for her spirit, two belles in one.
    (Many years later she would name her own home Elephanta; so matters elephantine, as well as spectral, continued to play a part in our saga, after all.)

    Belle had been dead for just two months. Hell’s Belle, Aurora’s Aires-uncle used to
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