Nightside 07 - Hell to Pay

lit by a warm golden glow that seemed to come from everywhere and nowhere. Typical supernatural track lighting. I had a good look round, refusing to allow Hobbes to dictate the pace. I was genuinely interested. Not many people get to see the inside of Griffin Hall, and most of them had the decency and common sense to keep quiet about what they saw. But I’ve never been big on either. I was pretty sure I could make a tasty sum selling a detailed description to the Gracious Living section of the Night Times.
    But…I have to say, I wasn’t that impressed. The hallway was big, yes, but you soon got over that. The gleaming wooden floor was richly waxed and polished, the walls were brightly painted, and the high ceiling was decorated with a series of tasteful frescoes…but there were no standing suits of armour, no antique furnishings, no great works of art. Just a really long hallway with an endless series of paintings and portraits covering both walls. All of them depicting Jeremiah Griffin and his wife Mariah, in the fashions and styles of centuries past. Paintings hundreds of years old, celebrating two people who were probably even older. From formal stylised portraits where they both wore ruffs and the obligatory unsmiling expressions, through dozens of kings and more Parliaments, from Restoration to Edwardian and beyond. Some by artists so famous even I recognised them.
    I spent so long admiring a Rembrandt that Hobbes had to come back and hover over me, clearing his throat in a meaningful manner. I turned to give him my full attention. Hobbes really was the archetypal butler, upright and stern in his formal black-and-white Victorian outfit. His hair was jet-black and so were his eyes, though his tightlipped mouth was so pale as to be almost colourless. He had a high-boned face, and a long, pointed chin you could use to get pickles out of a jar. He should have been amusing, an anachronism in this modern day and age, but behind the arrogant servility there was a sense of enormous strength held in check, ready to be released in the service of his master. Hobbes…was creepy, in an utterly intimidating sort of way.
    You knew he’d be the first person to lean over your shoulder during a formal dinner and loudly announce that you were using the wrong fork. He’d also be the first to toss you out on your ear, probably with a broken limb or two, if you were dumb enough to upset his lord and master. I made a mental note not to turn my back on him at any time and to fight extremely dirty if push ever came to shove.
    “If you’ve quite finished, sir…?” Implied threats filled the pause at the end.
    “Tell me about Jeremiah,” I said, not moving, just to be contrary. “Have you worked for him long?”
    “I have had the honour of serving the Griffin family for years, sir. But you will of course understand that I cannot discuss the family’s personal matters with any visitor, no matter how…well-known.”
    “I like your gardens,” I said. “Very…lively.”
    “We do our best, sir. This way, sir.”
    It was clear he wasn’t going to tell me one damn thing, so I set off at a fast pace down the long hallway, and he had to hurry to catch up with me. He quickly resumed the lead, gliding silently along a careful two paces ahead of me. He was very quiet for such a big man. I felt like sticking my tongue out at his back, but somehow I knew he’d know, and wouldn’t care. So I settled for ambling along again, making as much noise as I could, doing my best to leave scuff marks on the polished floor. Every now and again, other servants would emerge from side corridors, all of them dressed in old-fashioned Victorian outfits, and every time they’d crash to a halt and wait respectfully for Hobbes to pass, before continuing on their way. Except… respectful wasn’t quite the word. No, they looked scared. All of them.
    Jeremiah and Mariah Griffin continued to stare solemnly back at me from the walls as I passed. Clothes and hairstyles and backgrounds changed, but they remained the same. Two hard, unyielding faces, with unyielding stares. I’d seen portraits of kings and queens in all their finery who looked less royal, less sure of themselves. As Hobbes and I finally approached the end of the hallway, paintings finally gave way to photographs, from faded sepia prints to the latest digital clarity. And for the first time the Griffin children appeared, William and Eleanor. First as children, then as adults, again