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K Is for Killer

K Is for Killer

Titel: K Is for Killer
Autoren: Sue Grafton
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mouthing the lines she was supposed to say. I've seen elementary school pageants with more talent in evidence. Whatever passion she conjured up looked like something she'd learned from watching other pornographic film clips, the chief gesture being a lascivious lip licking more likely to cause chapping than arousal, in my opinion. I suspect she was actually hired because she was the only one who owned a real garter belt in this age of panty hose.
    Lorna was the prime focus, and her appearance was staged for maximum effect. She seemed oblivious of the camera, her movements fluid and unhurried, her expertise undisguised. Her looks were elegant, and in the early moments of her role it was difficult to imagine the misbehaviors that would soon emerge. At first, she was cool and seemed to be secretly amused. Later, she was shameless, controlled, and intense, totally focused on herself and whatever she was feeling.
    Early in the viewing, I was inclined to fast-forward past any scene not involving her, but the effect became comical – The Perils of Pauline with sex parts flapping back and forth. I tried to watch with the same detachment I affect at homicide sites, but the mechanism failed and I found myself squirming. I do not take lightly the degradation of human beings, especially when it's done solely for the financial gain of others. I've heard it said that the pornography industry is larger than the record and the film industries combined, staggering sums of money changing hands in the name of sex. At least this video had little violence and no scenes involving children or animals of any kind.
    While there wasn't much story to speak of, the director had made an attempt to create suspense. Lorna played a sexually demonic apparition and as such stalked both husband and wife, who ran stark naked through the house. She was also sexually abusive to a repairman named Harry, who showed up in the film during one of the parts I skipped the first time. Often Lorna's appearances were heralded by smoke and her diaphanous gown was blown skyward by a wind machine. Once the action began, there were many close shots, lovingly detailed by a cameraman with a passion for his zoom lens.
    I flicked the tape off and rewound it, turning my attention to the packaging. The production company was called Cyrenaic Cinema with a San Francisco address. Cyrenaic? What did that mean? I pulled my dictionary from the shelf and checked the reference. "Cyrenaic – of the Greek school of philosophy founded by Aristippus of Cyrene, who considered individual sensual pleasure the greatest good." Well, someone was literate. I tried directory assistance in the 415 area code. There was no telephone number listed, but the address might be good. Even if Janice and I came to an agreement, I wasn't sure she'd want to fund a trip to San Francisco.
    I sorted through the files she'd given me, separating out the news clippings from the police reports. I read the autopsy report with particular care, translating the technicalities into my sketchy layman's understanding. The basic facts were about as distasteful as the film I'd just seen, without the leavening influence of all the corny dialogue. By the time Lorna's body was discovered, the process of decomposition was virtually complete. Gross examination revealed precious little of significance, as all the soft tissue had collapsed into a greasy mass. Maggots had made hasty work of her. Internal examination confirmed the absence of all organs, with only small amounts of tissue left representing the GI tract, the liver, and the circulatory system. Brain tissue was also completely liquefied and/or absent. Osseous remains showed no evidence of blunt force trauma, no stab or gunshot wounds, no ligature, no crushed or broken bones. Two old fractures were noted, but neither apparently pertained to the manner of her death. What laboratory tests could be run showed no drugs or poisons in her system. Complete dental arches were excised and retained, along with all ten fingers. Positive identification was made through dental charts and a residual print from the right thumb. There were no photographs, but I suspected those would be attached to her department file. Postmortem glossies would hardly have been passed along to her mother.
    There was no way to pinpoint date or time of death, but a rough estimate was made from several environmental factors. Countless people interviewed testified as to her night owl tendencies. It was
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