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In the Heat of the Night

In the Heat of the Night

Titel: In the Heat of the Night
Autoren: John Ball
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as directed, walked out onto the city side of the platform, and obediently climbed into the back seat of Sam’s waiting car. The prisoner slammed the door just enough to be sure that it was properly latched and settled back in the seat. He made no move to do anything other than what he was directed.
    Sam climbed in behind the wheel. There were no inside door handles in the patrol car and he knew that his prisoner could not escape. For a moment he thought of the way Mantoli had been killed—hit over the head presumably from the rear and probably by the prime suspect who was sitting behind him at that moment. Then Sam reassured himself with the thought that there was nothing in the rear seat which the Negro could use for a weapon, and with a bare-hand attack Sam could easily deal. He would have welcomed one; the prospect of a little action was attractive, particularly with someone as easy to handle as his captive.
    Sam picked up the radio microphone and spoke tersely. “Wood from the railroad station. Bringing in a colored suspect.” He paused, thought a moment, and decided to add nothing else. The rest of it could wait until he got to the station. The less police business put on the air the better.
    The prisoner made no sound as Sam drove, smoothly and expertly, the eleven blocks to the police station. Two men were waiting at the drive-in entrance when he got there; Sam waved them aside, confident of his ability to handle his prisoner without help. He took his time as he climbed out, walked around the car, and swung the rear door open. “Out,” he ordered.
    The Negro climbed out and submitted without protest when Sam seized his upper arm and piloted him into the police station. Sam walked in properly, exactly as the illustrations in the manuals he had studied told him to do. With his powerful left arm he controlled his prisoner, his right hand resting, instantíy ready, on his police automatic. Sam regretted that there was no one to take a picture of that moment, and then realized that once more he had forgotten himself and the dignity of his position.
    As Sam turned the comer toward the row of cells, he was intercepted by the night desk man, who pointed silently to the office of Chief Gillespie. Sam nodded, steered his man up to the door, and knocked.
    “Come in.” Gillespie’s strident voice echoed through the door. Sam turned the knob with his right hand, Pushed his man through the opening, and waited before Gillespie’s desk. The chief was pretending that he was occupied with some papers before him. Theo he laid down the pen he had been holding and stared hard at the prisoner for a full twenty seconds. Sam could not see the prisoner’s reaction and did not dare to turn his head to look for fear of breaking the psychological spell.
    “What’s your name!” Gillespie demanded suddenly. The question came out of his lips like a shot.
    The Negro astonished Sam by speaking, for the first time, in a calm, unhurried voice. “My name is Tibbs, Virgil Tibbs,” he replied, and then stood completely still. Sam relaxed his hold on the man’s arm, but the prisoner made no attempt to sit in the empty chair beside him.
    “What were you doing in the station?” This time the question was slightly less explosive, more matter-of- fact.
    The Negro answered without shifting his weight. “I was waiting for the five-seventeen train for Washington.” The scene of complete silence was repeated: Sam did not move, Gillespie sat perfectly still, and the prisoner made no attempt to do anything.
    “When and how did you get into town?” This time Gillespie’s question was deceptively mild and patient in tone.
    “I came in on the twelve-thirty-five. It was three- quarters of an hour late.”
    “What twelve-thirty-five?” Gillespie barked suddenly.
    The prisoner’s tone in answering was unchanged. “The one from downstate. The local.” The idea forced itself on Sam that this was an educated black, one of the sort that hung around the United Nations in New York, according to the newsreels. That might make it a little harder for Gillespie. Sam clamped his teeth together and held the comers of his mouth firm so he could not betray himself by smiling.
    “What were you doing downstate?”
    “I went to visit my mother.”
    There was a pause before the next question. Sam guessed that it would be an important one and that Gillespie was waiting deliberately to give it added force.
    “Where did you get the money for your
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