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Harry Hole Oslo Sequence 10 - Police

Harry Hole Oslo Sequence 10 - Police

Titel: Harry Hole Oslo Sequence 10 - Police
Autoren: Jo Nesbo
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light. Felt the helmet banging against the frame.
    He stopped by the torchlight. The powerful beam hurt his eyes. And, dazzled, he thought he could hear himself still breathing heavily. It was strange his pulse was so low. He detected a movement, something being lifted behind the large, quivering circle of light, heard a hushed whistle through the air and at that moment a thought struck him. He shouldn’t have done that. He shouldn’t have removed his helmet. Most deaths among cyclists . . .
    It was as if the thought stammered, like a displacement in time, like an image being disconnected for a moment.
    Erlend Vennesla stared ahead in astonishment and felt a hot bead of sweat run down his forehead. He spoke, but the words were incoherent, as though there were a fault in the connection between brain and mouth. Again he heard a soft whistle. Then sound went. All sound, he couldn’t even hear his own breathing. And he discovered that he was on his knees and his bike was slowly tipping over into a ditch. Before him danced a yellow light, but it disappeared when the bead of sweat reached the ridge of his nose, ran into his eyes and blinded him.
    The third blow felt like an icicle being driven into his head, neck and body. Everything froze.
    I don’t want to die, he thought, trying to raise a defensive arm above his head, but, unable to move a single limb, he knew he had been paralysed.
    He didn’t register the fourth blow, although from the aroma of wet earth he concluded he was now lying on the ground. He blinked several times and sight returned to one eye. By his face he saw a pair of large, dirty boots in the mud. The heels were raised and then the boots took off from the ground. They landed. The same was repeated: the heels were raised and the boots took off. As if the assailant were jumping. Jumping to get even more power behind the blows. And the last thought to go through his brain was that he had to remember what her name was, he mustn’t forget her name.

2
    OFFICER ANTON MITTET took the half-full plastic cup from the small, red Nespresso D290 machine, bent down and placed it on the floor. There was no furniture to put it on. Then he took out another coffee capsule, automatically checked that the aluminium foil lid wasn’t perforated, that it was in fact unused, before inserting it in the coffee machine. Set an empty plastic cup under the spout and pressed one of the illuminated buttons.
    He checked his watch while the machine began to sputter and groan. Soon be midnight. Shift change. She was waiting for him at home, but he thought he should teach the new girl the ropes first; after all she was only a police trainee. Silje, was that her name? Anton Mittet stared at the spout. Would he have offered to get coffee if it had been a male colleague? He wasn’t sure, and it made no difference anyway, he had given up answering that kind of question. It was suddenly so quiet he could hear the final, almost transparent, drops dripping into the cup. There was no more colour or taste to be had from the capsule, but it was vital to catch every last droplet; it was going to be a long night shift for the young woman. Without any company, without any action, without anything to do, other than to stare at the inside of the Rikshospital’s unpainted, bare concrete walls. Then he decided he would have a coffee with her before leaving. He took both cups with him and returned. His footsteps resounded against the walls. He passed closed, locked doors. Knowing there was nothing or no one behind them, only more bare walls. For once Norway had built for the future with the Rikshospital, realising that Norwegians were becoming more numerous, aged, infirm and needy. They had taken a long-term approach, the way the Germans had with their autobahns and the Swedes with their airports. But had it felt like that for them, the few motorists crossing the German countryside in isolated majesty on the concrete leviathans in the thirties or the Swedish passengers hurrying through the oversized lounges in Arlanda during the sixties? Had they sensed that there were ghosts? That despite it being brand new and unspoilt, and despite no one having died in a car accident or a plane crash yet, there were ghosts. That at any moment car headlamps could pick out a family standing on the kerb, staring blankly into the light, bleeding, ashen, the father impaled, the mother’s head the wrong way round, a child with limbs on one side only. That charred
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