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Sandalwood Death: A Novel (Chinese Literature Today Book Series)

Sandalwood Death: A Novel (Chinese Literature Today Book Series)

Titel: Sandalwood Death: A Novel (Chinese Literature Today Book Series)
Autoren: Mo Yan
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Dieh, ai yo, Niang~~ai yo my little son done wrong~~he scratched my itch with his cute little hand~~waiting to grow up big and strong~~his life cut short, now the ghosts among~~two lines of bloody tears as I sing my song~~
    Meow meow~~meow meow~~
    I looked up at the soldiers, pleading with my eyes; my nose began to ache. “You up there, German soldiers, I’m told that you have opera back home, a place with its own customs and mores, and I ask you to compare those with theirs, and contrast their number with yours. Do not consider the actions onstage to be a provocation, and do not confuse them with the anti-German army led by Sun Bing, even though his men also painted their faces and dressed in stage costumes. You are witnessing pure theatrics, performed by a troupe of actors, and while it may appear manic, it is a common feature of the Maoqiang repertoire, and the actors are merely following long-established traditions. They act to memorialize those who have passed on to ease them into heaven, and they act to bring peace to those about to die. This performance is for Sun Bing, the inheritor of the Maoqiang mantle of Patriarch, for it was in his hands that Maoqiang reached the magnificent level of achievement you see before you today. They are performing for Sun Bing the way a cup of the finest spirits is given to a dying distiller, as a thoughtful gesture and an expression of humanity. German soldiers, lay down your Mausers, I beg you in the name of compassion and reason. You must not kill any more of my subjects. A river of blood has already flowed in Northeast Gaomi Township, and the once-bustling Masang Township is now a wasteland. You have fathers and mothers back home and hearts that beat in your chests; they are not made of iron or steel, are they? Can it be that in your hearts we Chinese are nothing but soulless pigs and dogs? You have Chinese blood on your hands, and I believe you must be visited by terrible dreams at night. Lay down your weapons, lay them down.” I ran up to the platform.
    “Do not open fire!” I shouted.
    Unfortunately, my shout sounded like an order to fire, which they did, seemingly ripping a dozen holes in the sky with the cracks of their rifles, whose muzzles released puffs of smoke, like white snakes that slithered upward before beginning to break up. The pungent odor of gunpowder burned the inside of my nose and struck my mind with mixed feelings of grief and joy. Why grief? I didn’t know. Why joy? I didn’t know that, either. By then hot tears blurred my vision, and through those tears I watched as a dozen blurry red bullets escaped from the German soldiers’ rifles and spun their way forward slowly, very slowly, almost hesitantly, reluctantly, irresolutely, as if wanting to turn away or fly up into the sky or bury themselves in the ground, as if wanting to stop their momentum or to slow down time or to wait till after the actors on the stage had run for cover before completing their split-second journey, as if they were tied to the German rifles by an invisible thread that was pulling them back. Kind-hearted bullets good and decent bullets mild and gentle bullets compassionate bullets Buddhist bullets, slow down to give my people a chance to fall to the ground before you reach your targets. You don’t want their blood to stain your bodies, you chaste and holy bullets! But those ignorant citizens on the stage were not only oblivious to the need to fall to the ground to avoid your arrival, they actually seemed to be waiting in welcome anticipation. When the hot, fiery red shells penetrated their bodies, some reacted by throwing their arms in the air in what looked like an attempt to pull leaves off of trees; some fell to the ground and grabbed their bellies with both hands, fresh blood seeping out between their fingers. In the center of the stage, Justice Cat was thrown backward, along with his chair, the interrupted strains of his song caught in his throat. The first volley cut down most of the actors on the stage. Zhao Xiaojia slid down his post, cast a dazed look all around until he realized what was going on, wrapped his arms around his head, and ran behind the stage, shouting:
    “They’re shooting people, trying to kill me—”
    The Germans had no intention of shooting the post-sitter, at least I didn’t think so; his executioner’s attire probably saved him. He’d been an object of fascination for many people over the past several days. After the first volley,
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