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New York Dead

New York Dead

Titel: New York Dead
Autoren: Stuart Woods
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prints.”
    Dino Bacchetti entered the room as he might a fashionable restaurant. He was dressed to kill, in a silk Italian suit with what Stone liked to think of as melting lapels. “So?” he asked, looking around, trying to sound bored.
    “Sasha Nijinsky went thataway,” Stone said, pointing to the terrace.
    “No shit?” Dino said, no longer bored. “That explains the crowd on the sidewalk.”
    “Yeah. I was passing, on my way home.”
    Dino walked over and clapped his hands onto Stone’s cheeks. “I got the luckiest partner on the force,” he said, beaming.
    Stone ducked before Dino could kiss him. “Not so lucky. I chased the probable perp down the stairs and blew it on the last landing. He walked.”
    “A right-away bust would have been too good to be true,” Dino said. “Now we get to track the fucker down. Much, much better.” He rubbed his hands together. “Whatta we got here?”
    “She was moving to a new apartment tomorrow,” Stone said. He beckoned Dino to the table and opened the diary with the pen.
    “Not in the best of moods, was she?” Dino said, reading. “Skydiving without a parachute. The papers are going to love that.”
    “Yeah, they’re going to love the whole thing.”
    Dino looked up. “Maybe she jumped,” he said. “Who’s to say she was pushed?”
    “Then who went pounding down the stairs at the moment I arrived on the scene?” Stone asked. “The moving men?”
    “No sign of a struggle,” Dino observed.
    “In a room full of cardboard boxes, who can say?”
    “No glasses out for a guest, if What’s-his-name did show.”
    “The liquor’s packed, like everything else. I’ve had a look around, I didn’t see any. She didn’t sound in any mood to offer him a drink, anyway.” Stone sighed. “Come on, let’s go over the place before the Keystone Kops get here.” “Yeah, Leary’s got the watch,” Dino said.
    The two men combed the apartment from one end to the other. Stone used a penlight to search the corners of the terrace.
    “Nothing,” Dino said, when they were through.
    “Maybe everything,” Stone said. “We’ve got the diary, her address book, and a stack of change-of-address cards, already addressed. Those are the important people, I reckon. I’ll bet the perp is in that stack.” He took out his notebook and began jotting down names and addresses. Apart from the department stores and credit card companies, there were fewer than a dozen. Had she had so few friends, or had she just not gotten through the list before she died? He looked over the names: alphabetical. She had made it through the W’s.
    They heard the elevator doors open, and two detectives walked in, followed by a one-man video crew. He was small, skinny, and he looked overburdened by the camera, battery belt, sound pack, and glaring lights.
    “You, out,” Dino said. “This is a crime scene.”
    “Why do you think I’m here?” the cameraman said. He produced a press card. “Scoop Berman,” he said. “Scoop Video.”
    “The man said this is a crime scene, Scoop,” Stone said, propelling the little man toward the door.
    “Hey, what crime?” Scoop said, digging in his heels.
    “Possible homicide,” Stone replied, still pushing.
    “There’s no homicide,” Scoop said.
    “Yeah? How do
you
know?”
    “Because she ain’t dead,” Scoop said.
    Stone stopped pushing. “What are you talking about? She fell twelve stories.”
    “Hang on a minute, guys,” Scoop said. He rewound the tape in his camera and flipped down a tiny viewing screen. “Watch this,” he said.
    Stone and Dino elbowed the other two cops out of the way and focused on the screen. An image came up; the camera was running toward the Con Ed site downstairs. It pushed past an ambulance man and zoomed in on the form of Sasha Nijinsky. She was wearing a nightgown under a green silk robe.
    “Easy, now, lady,” someone was saying on the soundtrack. “Don’t try to move; let us do the moving.”
    A white-clad back filled the screen, and the camera moved to one side, then zoomed in tight on her face. She blinked twice, and her lips moved.
    “Okay, here we go,” the voice said, and the ambulance men lifted her onto a stretcher. The camera followed as they loaded the stretcher into the back of the ambulance. One man got in with her and pulled the door shut. The ambulance drove away, its lights flashing and its whooper sounding.
    “I had to make a choice then,” Scoop said. “I called in the
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