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Intensity

Intensity

Titel: Intensity
Autoren: Dean Koontz
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going to be able to run him down. She also sees the shotgun, no doubt, and she pulls the steering wheel to her right, away from him, ready to settle for escape instead of vengeance.
        He has no intention of trying to blast her head off through the already shattered windshield or through the side window, partly because he's beginning to be spooked by her resilience and doesn't think he'll be able to do enough damage to stop her as she sails past like a skeet disk. Also, it's far easier to halt and shoot from the hip than to raise the gun and aim, and shooting from the hip means shooting low.
        The recoil from the first three rounds, fired as quickly as he can work the pump action, nearly pounds the sheriff off his feet, but he takes out the front tire on the driver's side.
        Hardly six feet from him, the motor home starts to slide. Snakes of rubber uncoil into the air from the ruined tire. As the behemoth streaks past, Vess uses his last two rounds to blow out the rear tire on the driver's side.
        Now Ms. Chyna Shepherd, untouched and alive, has big trouble.

    
        The steering wheel spun back and forth in Chyna's hands, burning her palms as she tried determinedly to hold on to it.
        She tapped the brakes, and that seemed to be the absolute wrong thing to do because the vehicle yawed dangerously to the left, but when she let up on the brakes, that also seemed to be wrong because it yawed even more wildly to the right. The trailing black-and-white stuttered against the back bumper, and the motor home shuddered even as it swayed more violently side to side, and Chyna knew that they were going to tip over.
        

    
        Half drunk on the deliciously complex smell of his own blood and the pure-sex stink of the shotgun fire, Sheriff Vess tosses the 20-gauge aside when the magazine is empty. With shining-eyed glee, he watches as the aged motor home rises inevitably off its starboard tires, tilting along the night highway on its port-side wheel rims. Virtually all of the rubber has shredded away; strips and chunks of it litter both lanes. The steel rims carve into the blacktop with a grinding sound that reminds him of the texture of crinoline crisp with dried blood, which brings to mind the taste of a certain young lady's mouth in the very moment that she died. Then the vehicle crashes onto its side hard enough for Vess to feel vibrations in the pavement beneath his feet. The flat boom echoes back and forth between the road-flanking trees, like the devil's own shotgun fire.
        Hung up on the back of the motor home, the black-and-white is hauled onto its side by the larger vehicle. Then it finally tears loose, flips onto its roof, spins three hundred and sixty degrees, and comes to rest in the northbound lane.
        The motor home is far past the car, three hundred feet away from the sheriff and still sliding, but it is slowing and will soon stop.
        Everything is screwed up big time: the mess scattered all over the highway, which he will be hard-pressed to explain; the ruination of his plan to deal with Ariel in the methodical manner that has kept him so excited for the past year; and the incriminating bodies in the bedroom of his motor home.
        Yet Sheriff Vess has never felt half as buoyant as he does now. He is so alive , all of his senses enhanced by the ferocity of the moment. He feels giddy, silly. He wants to caper under the moon and twirl with his arms out like a child making himself dizzy with the sight of spinning stars.
        But there are two deaths to be dealt, a lovely young face to be disfigured, and that is fun too.
        He reaches to his holster for his revolver. Evidently it fell out when he leaped from the car and tumbled across the highway. He looks around for it.

    
        When the motor home slid to a stop, Chyna wasted no time being astonished to be alive. Instantly she disengaged her safety harness and then the girl's.
        The starboard flank of the tipped-over motor home had become its ceiling in this new orientation. Ariel clung to the door handle up there to avoid dropping down on top of Chyna. The port flank, where Chyna lay, was now essentially the floor. The window in the driver's door at her side provided a close-up view only of blacktop.
        She struggled out of her seat, turned around, and perched on the dashboard with her back to the windshield and her feet on the console box. She
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