In Death 32 - Treachery in Death

you with Nadine Furst. Charlie and I like to watch her show. We were going to read that book she wrote about you.”
    “It’s really not about me.” But Eve let it go as there were more important things to talk about—and because it embarrassed her a little. “Why don’t you tell me what happened, Mrs. Ochi?”
    “I told the other cop, and I’ll tell you. I was at the counter and Charlie was back here when they came in. We told them not to come in any more because they steal, they break things, they insult us and our customers. They’re trouble, these three. Punks. The white boy, he points the thing he had at the camera, and the monitor on the counter goes to static.”
    Her voice chipped the words like a hammer on stone, and those eyes remained fierce and dry. No tears, Eve thought, not yet. Just the cold blaze of anger only a survivor really knew.
    “They’re laughing,” Mrs. Ochi continued, “slapping each other’s backs, bumping fists, and the black one, he says, ‘What’re you going to do now, old bitch,’ and grabs a bunch of candy. I yelled at them to get out of my place, and the other one—Asian mix—he hits me with something. I saw stars, and I tried to get in the back, to Charlie, but he hit me again, and I fell down. They kept laughing. Stoned,” she said. “I know what stoned looks like. Charlie came out. The mix, he’s going to hit me again I think when I’m on the floor, but Charlie hits him, knocks him back. I tried to get up, to help, but ...”
    Her voice broke now, and some of the fierceness died in guilt.
    “You were hurt, Mrs. Ochi.”
    “The black one, he hit Charlie like the mix hit me, but Charlie didn’t fall. He’s not big, Charlie, not young like those killers , but he’s strong. He was always strong.”
    She took a long breath, steadied herself a little. “He hit back. I tried to get up, and I tried to find something to hit them with. Then the white one, he said, ‘Fuck you, you old fuck,’ and he shoved the thing—the jammer or stunner, or whatever it was—into Charlie ... here.”
    She laid a hand on her heart.
    “It made a sound, an electrical sound—like the static, if you know what I mean. And it went snapping, and when it did, Charlie fell down. He pressed a hand to his heart, he said ‘Kata,’ he said my name.” Her lips trembled, but she firmed them again. “He said, ‘Kata,’ then he fell. I crawled toward him. They kept laughing and yelling, breaking things, stomping on things. One of them, I don’t know which, kicked me in the side, and they ran out.”
    Mrs. Ochi closed her eyes for a moment. “They ran out, and then, soon—a minute? Maybe less, Yuri ran in. He tried to help Charlie, tried to start his heart. He’s a good boy, Yuri—his daddy worked for us long ago—but he couldn’t help Charlie. He called for the police and an ambulance, and he got ice from the freezer for my head. He sat with me, with me and Charlie until the police came.”
    She leaned forward now. “They’re not important people. We’re not important either, not the kind of important people you talk about on Now with Nadine Furst. But you won’t let them get away with this?”
    “You’re important to the NYPSD, Mrs. Ochi. You and Mr. Ochi are important to me, to my partner, to every cop working this.”
    “I believe you when you say it, because you believe it.”
    “I know it. We’re already looking for them, and we’ll find them. It would help if I could have your surveillance disc. If they didn’t jam it before they came in, we’ll have them on record. And we have you, we have Yuri. They won’t get away with it.”
    “There’s cash in the box under the counter. Not much—we don’t keep much, but they didn’t want money. Candy, soft drinks, chips. They didn’t really want those either. They just wanted to break and hurt and rip and tear. What turns boys into animals? Do you know?”
    “No,” Eve said. “I don’t know.”

    Eve watched Mrs. Ochi’s family load her in a car to take her to her doctor—and watched Mr. Ochi’s body loaded up for transport to the morgue.
    The summer of 2060 had been a scorcher, and that didn’t appear to be changing any time soon. She stood in the heat, shoved a hand through her short crop of brown hair, wishing for a breeze. She had to check the impulse, a couple of times, to move Peabody along, to direct, to order.
    Thorough was good, she reminded herself, and photos of the suspects were already making