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Midnights Children

Midnights Children

Titel: Midnights Children
Autoren: Salman Rushdie
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the incense … the old man is clearly furious about something, possessed by an incomprehensible rage that appears to be directed at his erstwhile acolyte, or, more precisely and oddly, at his bag. Doctor Aziz attempts to make small talk … “Your wife is well? Do they still talk about your bag of golden teeth?” … tries to remake an old friendship; but Tai is in full flight now, a stream of invective pouring out of him. The Heidelberg bag quakes under the torrent of abuse. “Sister-sleeping pigskin bag from Abroad full of foreigners’ tricks. Big-shot bag. Now if a man breaks an arm that bag will not let the bone-setter bind it in leaves. Now a man must let his wife lie beside that bag and watch knives come and cut her open. A fine business, what these foreigners put in our young men’s heads. I swear: it is a too-bad thing. That bag should fry in Hell with the testicles of the ungodly.”
    … Ghani the landowner snaps his braces with his thumbs. “A big chance, yes indeed. They are saying good things about you in town. Good medical training. Good … good enough … family. And now our own lady doctor is sick so you get your opportunity. That woman, always sick these days, too old, I am thinking, and not up in the latest developments also, what-what? I say: physician heal thyself. And I tell you this: I am wholly objective in my business relations. Feelings, love, I keep for my family only. If a person is not doing a first-class job for me, out she goes! You understand me? So: my daughter Naseem is not well. You will treat her excellently. Remember I have friends; and ill-health strikes high and low alike.”
    … “Do you still pickle water-snakes in brandy to give you virility, Taiji? Do you still like to eat lotus-root without any spices?” Hesitant questions, brushed aside by the torrent of Tai’s fury. Doctor Aziz begins to diagnose. To the ferryman, the bag represents Abroad; it is the alien thing, the invader, progress. And yes, it has indeed taken possession of the young Doctor’s mind; and yes, it contains knives, and cures for cholera and malaria and smallpox; and yes, it sits between doctor and boatman, and has made them antagonists. Doctor Aziz begins to fight, against sadness, and against Tai’s anger, which is beginning to infect him, to become his own, which erupts only rarely, but comes, when it does come, unheralded in a roar from his deepest places, laying waste everything in sight; and then vanishes, leaving him wondering why everyone is so upset … They are approaching Ghani’s house. A bearer awaits the shikara, standing with clasped hands on a little wooden jetty. Aziz fixes his mind on the job in hand.
    … “Has your usual doctor agreed to my visit, Ghani Sahib?” … Again, a hesitant question is brushed lightly aside. The landowner says, “Oh, she will agree. Now follow me, please.”
    … The bearer is waiting on the jetty. Holding the shikara steady as Aadam Aziz climbs out, bag in hand. And now, at last, Tai speaks directly to my grandfather. Scorn in his face, Tai asks, “Tell me this, Doctor Sahib: have you got in that bag made of dead pigs one of those machines that foreign doctors use to smell with?” Aadam shakes his head, not understanding. Tai’s voice gathers new layers of disgust. “You know, sir, a thing like an elephant’s trunk.” Aziz, seeing what he means, replies: “A stethoscope? Naturally.” Tai pushes the shikara off from the jetty. Spits. Begins to row away. “I knew it,” he says. “You will use such a machine now, instead of your own big nose.”
    My grandfather does not trouble to explain that a stethoscope is more like a pair of ears than a nose. He is stifling his own irritation, the resentful anger of a cast-off child; and besides, there is a patient waiting. Time settles down and concentrates on the importance of the moment.
    The house was opulent but badly lit. Ghani was a widower and the servants clearly took advantage. There were cobwebs in corners and layers of dust on ledges. They walked down a long corridor; one of the doors was ajar and through it Aziz saw a room in a state of violent disorder. This glimpse, connected with a glint of light in Ghani’s dark glasses, suddenly informed Aziz that the landowner was blind. This aggravated his sense of unease: a blind man who claimed to appreciate European paintings? He was, also, impressed, because Ghani hadn’t bumped into anything … they halted outside a thick teak door.
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