Lost Light

be used in film productions, but the film’s director, Wolfgang Haus, insisted on the use of real money because the scenes being shot in the Selma Avenue home entailed a variety of close-ups of the thief, played by Barstow, and the money.
    Haus said the film’s script called for the thief to dump the money on a bed and roll around in it, throwing it into the air and celebrating. Another scene involved the thief covering herself in a bathtub filled with the money. Haus said fake money would easily be noticeable in the finished film.
    The German filmmaker also insisted that using real currency helped the actors perform better in scenes containing the money.
    “If you are using play money, then you are playacting,” Haus said. “We needed to get beyond that. I wanted this woman to feel she had stolen two million dollars. It would be impossible to do it any other way. My films rely on accuracy and truth. If we were to use Monopoly money, the film would be a lie and everybody who watched it would know it.”
    The film’s producers, Eidolon Productions, arranged for a one-day loan of the cash and a phalanx of security guards to go with it, police detectives told reporters. The armored car was scheduled to remain on the scene during shooting, and the money was to be returned immediately after filming was completed. The largesse was entirely comprised of one-hundred-dollar bills wrapped in $25,000 packets.
    Alexander Taylor, owner of the film’s production company, declined comment on the robbery or the decision to use real money during the filming. It was unclear if the money was insured against robbery.
    Police also declined to reveal why Detective Bosch was on the set when the shoot-out erupted. But sources told The Times that Bosch was investigating the death of Angella Benton, who was found strangled in her Hollywood apartment building four days earlier. Benton, 24, was an employee of Eidolon Productions, and police are now investigating the possibility of a connection between her murder and the armed robbery.
    In a statement released by her publicist, Brenda Barstow said, “I am shocked by what has happened and my heart goes out to the family of the man who was killed.”
    A spokesman for BankLA said that Raymond Vaughn had been employed by the bank for seven years. Formerly he was a police officer who worked for departments in New York and Pennsylvania. Simonson, the injured employee, is an assistant to bank vice president Gordon Scaggs, who was in charge of the one-day cash loan to the movie set. Scaggs could not be reached for comment.
    Production of the film was temporarily suspended. It was unclear Friday when the cameras would roll again, or if real currency would be used in the filming when it begins again.

    I remembered the surreal scene of that day. The screaming, the cloud of smoke left after all of the shooting. People on the ground and me not knowing if they’d been hit or were just taking cover. No one got up for a long time, even after the getaway van was long gone.
    I skimmed through a sidebar story that focused on how unusual it was to use real money-and so much of it-on a movie set, no matter what precautions had been taken. The story reported that the volume of the money took up four delivery satchels and correctly pointed out that it was unlikely that all $2 million would ever be contained in a single camera shot. Yet the producers of the film acceded to the director’s demand that real money be used and that all $2 million be on hand for verisimilitude. But the unnamed insiders and Hollywood watchers quoted in the story seemed to suggest that it wasn’t about the money or verisimilitude or even art. It was simply a power play. Wolfgang Haus did it because he could. The director was coming off of back-to-back films that had grossed more than $200 million each. In four short years he had risen from making small independent films to being a powerful Hollywood player. In demanding that $2 million in real cash be on hand for the filming of the rather routine scenes, he was exercising his newfound muscle. He had the power to ask for and get the $2 million on the set. Just another story about Hollywood ego. Only this time it involved murder.
    I moved on to a follow-up story published two days after the robbery. It was a rehash of the first day’s stories with little new information on the investigation. There were no arrests and no suspects. The most notable new information was that Warner