Unfinished Business

priscillas hung over the windows. There was a four-poster bed, draped with a watercolor quilt and plumped with pillows. A glass vase of freesias sat on an elegant Queen Anne desk. The scent of potpourri wafted from a bowl on the bureau.
    Nervous, Loretta walked through the room, twitching at the quilt, brushing imaginary dust from the dresser. “I hope you’re comfortable here. If there’s anything you need, you just have to ask.”
    Vanessa felt as if she were checking into an elegant and exclusive hotel. “It’s a lovely room. I’ll be fine, thank you.”
    “Good.” Loretta clasped her hands together again. How she longed to touch. To hold. “Would you like me to help you unpack?”
    “No.” The refusal came too quickly. Vanessa struggled with a smile. “I can manage.”
    “All right. The bath is just—”
    “I remember.”
    Loretta stopped short, looked helplessly out the window. “Of course. I’ll be downstairs if you want anything.” Giving in to her need, she cupped Vanessa’s face in her hands. “Welcome home.” She left quickly, shutting the door behind her.
    Alone, Vanessa sat on the bed. Her stomach muscles were like hot, knotted ropes. She pressed a hand against her midsection, studying this room that had once been hers. How could the town have seemed so unchanged, and this room, her room, be so different? Perhaps it was the same with people. They might look familiar on the outside, but inside they were strangers.
    As she was.
    How different was she from the girl who had once lived here? Would she recognize herself? Would she want to?
    She rose to stand in front of the cheval glass in the corner. The face and form were familiar. She had examined herself carefully before each concert to be certain her appearance was perfect. That was expected. Her hair was to be groomed—swept up or back, never loose—her face made up for the stage, but never heavily, her costume subtle and elegant. That was the image of Vanessa Sexton.
    Her hair was a bit windblown now, but there was no one to see or judge. It was the same deep chestnut as her mother’s. Longer, though, sweeping her shoulders from a side part, it could catch fire from the sun or gleam deep and rich in moonlight. There was some fatigue around her eyes, but there was nothing unusual in that. She’d been very careful with her makeup that morning, so there was subtle color along her high cheekbones, a hint of it over her full, serious mouth. She wore a suit in icy pink with a short, snug jacket and a full skirt. The waistband was a bit loose, but then, her appetite hadn’t been good.
    And all this was still just image, she thought. The confident, poised and assured adult. She wished she could turn back the clock so that she could see herself as she’d been at sixteen. Full of hope, despite the strain that had clouded the household. Full of dreams and music.
    With a sigh, she turned away to unpack.
     
    When she was a child, it had seemed natural to use her room as a sanctuary. After rearranging her clothes for the third time, Vanessa reminded herself that she was no longer a child. Hadn’t she come to find the bond she had lost with her mother? She couldn’t find it if she sat alone in her room and brooded.
    As she came downstairs, Vanessa heard the low sound of a radio coming from the back of the house. From the kitchen, she remembered. Her mother had always preferred popular music to the classics, and that had always irritated Vanessa’s father. It was an old Presley ballad now—rich and lonely. Moving toward the sound, she stopped in the doorway of what had always been the music room.
    The old grand piano that had been crowded in there was gone. So was the huge, heavy cabinet that had held reams and reams of sheet music. Now there were small, fragile-looking chairs with needlepoint cushions. A beautiful old tea caddy sat in a corner. On it was a bowl filled with some thriving leafy green plant. There were watercolors in narrow frames on the walls, and there was a curvy Victorian sofa in front of the twin windows.
    All had been arranged around a trim, exquisite rosewood spinet. Unable to resist, Vanessa crossed to it. Lightly, quietly, only for herself, she played the first few chords of a Chopin étude. The action was so stiff that she understood the piano was new. Had her mother bought it after she’d received the letter telling her that her daughter was coming back? Was this a gesture, an attempt to reach across the gap of