Two Ravens and One Crow (Novella)

realizing she’d introduced an awkward topic of conversation. The Morrigan seemed determined to embarrass everyone tonight.
    Unsure of what to say, I kept silent and waited. I couldn’t think of a safe topic of conversation—not even the weather, because that might be interpreted as a reference to Thor. I didn’t want to embarrass myself or anyone else, and I didn’t want to earn another rebuke from the Morrigan for saying the wrong thing—like, for example, inquiring after the missing occupant of the chair next to Frigg’s. There was a place setting there, and Frigg had asked the sommelier for four glasses, but there was no other sign of the last member of our party. Unless you counted the two ravens on the roof.
    I suppose there was a statistical non-zero probability that this could be a coincidence—two normal ravens just happened to be perching on the roof of a restaurant in Oslo where I was about to meet unnamed Norse gods—but I felt it was fairly improbable. It was far more probable that I was about to have an extremely uncomfortable formal dinner with two deities who had a long list of reasons to kill me.
    Granuaile asked me once how it could be possible for all the world’s gods to be walking around without anybody noticing. The answer was (and is) simple: cosplay. Most gods cosplay as humans when they visit earth and do their best to stay in character. If they perform miracles here and there, they’re always small things that no one outside the local area will notice. But, more than anything else, they don’t show themselves because humanity doesn’t truly believe they ever will. We imagine them chilling out in their heavens or nirvanas or planes of punishment, and they’re generally expected to stay there. And if they’re going to work their divine magic on earth or pull a deus ex machina, then they act through surrogates or from afar. In a sense, deities are incapable of showing themselves because most people don’t believe they’ll meet their gods before they die. I am a notable exception to the rule. The ancient Greeks and Romans believed they could run into the Olympians, though, so that allowed Zeus and company to start all kinds of shit in the old days.
    The silence lengthened. I couldn’t believe Frigg’s entire repertoire had been exhausted on goat teats and mead, but for the nonce, at least, her speech was on hiatus. Taking a deep breath, I employed the architectural-history gambit: »Why is this called the Cleopatra Room?« I asked.
    The Morrigan pointed up. »The ceiling,« she said. Craning my head back, I saw an elaborate stucco on the ceiling. Back in Arizona, they just sprayed stucco on the outside of houses and called it an exterior. But long ago, back when this building was originally constructed, artists used it as a medium to create permanent bas-relief sculptures. This one—undoubtedly one of the finest I’d ever seen—depicted the suicide of Cleopatra, who’d famously decided to leave this world by snakebite. Seeing it made me immediately miss Oberon, because I knew he would find the opportunity for parody irresistible, and I knew what he would say if he could see it now, complete with the voice of Samuel L. Jackson: ›Enough is enough ! I have had it with these motherfucking snakes on this motherfucking ceiling!‹
    »Beautiful,« I said, and hoped my smile would be interpreted as art appreciation rather than amusement at my hound’s fondness for movies.
    »Yes,« the Morrigan agreed.
    Our scintillating conversation was blessedly interrupted by the sommelier, who returned with the bottle of Shiraz. He poured a little out for our suspiciously missing homie, then left us to fill the silence once again. We had nothing, so we drank a bit and speculated about all the different flavors we could taste in the fermented grapes. The Morrigan opined that it had a layered flavor, stony but finishing with a lush réglisse . Frigg tasted spice, whatever that meant; I doubt it was an allusion to the planet Arrakis. I am not proficient in the language of wine, so I was just about to suggest there was a faint top note of mango chutney when Frigg’s eyes shifted over my shoulder and her expression softened. She rose from her chair, and the Morrigan and I followed suit. Turning to follow Frigg’s gaze, I saw a tall man in a tuxedo approaching our table. Gray hair flowed about his head and down to his shoulders, but it wasn’t thin and receding; it was somehow virile and