The Rithmatist

Melody replied. “Well then, guess it’s time for some drama!” She leapt to her feet and let out a squeal of delight, jumping up and down, screaming, “Yes, yes, yes!”
    Joel smiled. He looked up, and though the ceiling was tinted, he thought he could see Nalizar’s red coat where the man stood, eyes focused on Joel.
    I’m watching you, the professor’s stance seemed to say.
    It was then that the stunned audience erupted into motion and noise, some cheering, others rushing down onto the field.
    And I’m watching you back, Nalizar, Joel thought, still looking up. I’ve stopped you twice now. I’ll do it again.
    As many times as I have to.
    TO BE CONTINUED

ACKNOWLEDGMENTS
    This book has been a long time in the making.
    I first started writing it in the spring of 2007, half a year before I was asked to complete the Wheel of Time. My epic fantasy project at the time, titled The Liar of Partinel , just wasn’t working for me. It had too many problems, and rather than continue to try to force it, I found my way into a fun, alternate-world “gearpunk” novel that I titled Scribbler . It was one of those projects I’m prone to do when I’m supposed to be doing something else—an unexpected book that makes my agent shake his head in bemusement.
    The book turned out really well, but like most of my off-the-cuff stories, it had some major flaws that I needed to fix in revision. Unfortunately, with the Wheel of Time on my plate, I couldn’t afford the time it would take to revise this story. Beyond that, I didn’t think I could release it, as there’s an implicit promise of something further in the world, and I knew I wouldn’t be able to make good on that promise for many years.
    Well, the Wheel of Time is finally done, and I’ve been able to return to Scribbler , which we’ve renamed The Rithmatist . I’m reminded of just how fun this book was. I’m also reminded of the many, many people who gave reads on it over the years. It has now been almost six years since I did the first draft. (Where does all this time go, anyway?) With so much time involved in getting this book ready, I’m worried that I’m going to miss some people. If I do, I’m terribly sorry! Make sure you let me know so I can fix it.
    My original writing group on this book included Isaac Stewart, Dan Wells, Sandra Tayler, Janci Patterson, Eric James Stone, and Karla Bennion. They read this in a very early form, and were a huge help in getting it ready. I also want to make note of the early American work The Narrative of the Captivity and the Restoration of Mrs. Mary Rowlandson , which makes an (admittedly altered) appearance in this volume.
    Other alpha and beta readers include Chris “Miyabi” King, Josh & Mi’chelle Walker, Ben & Ben Olsen, Kalyani Poluri, Austin Hussey, Jillena O’Brien, Kristina Kugler, C. Lee Player, Brian Hill, Adam Hussey, and Ben McSweeney—who was a valuable alpha reader as well as the artist. We toyed with doing a graphic novel along the way; if you can ever corner him, ask to see some of the test pages for that. They’re awesome.
    Stacy Whitman was also very helpful in getting this book ready. (At one time, as an editor, she wanted to buy it. Thanks, Stacy, for your help!) The copyeditor was Deanna Hoak, and deserves your thanks (and mine) for helping make the manuscript less typo-y. (Though I believe it’s beyond the power of any mortal to completely relieve my prose of typos.)
    Susan Chang, the book’s editor, and Kathleen Doherty at Tor have been wonderful to work with, and have both been big believers in this book for many years. I’m glad we were finally able to release it. As always, I’d like to thank Moshe Feder for his support, Joshua Bilmes for his agent-fu, and Eddie Schneider for his sub-agent-fu.
    A special thanks also goes out to Karen Ahlstrom and the intermittent Peter Ahlstrom. For many years, they believed in this book and pushed me to give it the time and love it deserved.
    Finally, as always, I want to thank my family and my loving wife, Emily. They don’t just put up with me; they encourage me to thrive. Thank you.
    —Brandon Sanderson

READING AND ACTIVITY GUIDE
    The information, activities, and discussion questions that follow are intended to enhance your reading of The Rithmatist . Please feel free to adapt these materials to suit your needs and interests.
    W RITING AND R ESEARCH A CTIVITIES
    1. Author Brandon Sanderson is known for writing epic fantasy stories. Go to