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Composing a Life

Composing a Life

Titel: Composing a Life
Autoren: Mary Catherine Bateson
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learn to see success in marriages that flourish for a time and then end. Increasingly, we will recognize the value in lifetimes of continual redefinition, following the Biblical injunction, “Whatsoever thy hand findeth to do, do it with thy might” (Ecclesiastes 9:10).
    Many of society’s casualties are men and women who assumed they had chosen a path in life and found that it disappeared in the underbrush. These are easiest to recognize in areas where continuity used to be greatest.
    In the American Midwest, farmers have been losing their farms and finding themselves without path or purpose. Working on land that often has been in the family for several generations, they have interpreted their lives in terms of continuity even as the economics and the technological nature of farming have been steadily changing. The story of the foreclosed farmer is comparable to that of the displaced homemaker who assumed that marriage defined both her work and her security. She has been no more an idle dependent than the farmer, but she too defined herself in terms of a niche that proved evanescent.
    Others do not become visible casualties, because they are protected by contracts or union rules from facing the challenges of change. What they lose, and what the society loses through them, is the possibility of learning and development.
    In the academic world, the tenure system still supplies a high degree of security and campuses still project serene images of continuity. Young teachers who choose or are forced to leave often feel that their lives are ending, like foreclosed farmers and displaced homemakers. But watching men and women who have left as they reconstruct and redirect their lives, I have become convinced that for many of them this discontinuity has been a move from stagnation to new challenge and growth, just as divorce often represents progress rather than failure.
    All too often, men and women are like battered wives or abused children. We hold on to the continuity we have, however profoundly it is flawed. If change were less frightening, if the risks did not seem so great, far more could be lived. One of the striking facts of most lives is the recurrence of threads of continuity, the re-echoing of earlier themes, even across deep rifts of change, but when you watch people damaged by their dependence on continuity, you wonder about the nature of commitment, about the need for a new and more fluid way to imagine the future.
    The twentieth century has been called the century of the refugee because of the vast numbers of people uprooted by war and politics from their homes and accustomed lives. At the time of the Iranian revolution, my husband and I had lived in Iran for seven years. We had to adjust to the loss of our property there, including our books and papers, the loss of jobs, and the destruction of the institutions we had devoted those years to building. But seven years is minor compared to the dislocations that others faced. Some adjusted quickly, finding ways to affirm themselves and their skills in a new environment, bridging discontinuity. Others are still adrift, burdened by the broken assumptions of continuity.
    Another set of discontinuities is created by the shifting business and industrial environment, Towns that have depended on a single industry for generations suddenly find half their people unemployed, with no way to learn new skills or find new homes. In this era of hostile takeovers and leveraged buyouts, continuity at the executive level is suddenly interrupted, businesses are restructured, and career managers find themselves facing “outplacement.” Even monks and nuns must learn new skills as neighborhoods change around their monasteries; religious orders today must plan on turnover and constantly revised vocations. The fine old idea of a path and a commitment turns out to be illusory for many people, not only for geographical and political refugees but for cultural refugees displaced by the discontinuities of custom and economy. Even those who continue to wear the same professional label survive only because they have altered what they do. Being effective as a banker or a restaurateur or a general means that one has relearned one’s craft more than once.
    It is time now to explore the creative potential of interrupted and conflicted lives, where energies are not narrowly focused or permanently pointed toward a single ambition. These are not lives without commitment, but rather lives in
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