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City of Night

City of Night

Titel: City of Night
Autoren: Dean Koontz
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ambulatory tumor that was, to boot, pretty damn smart.
    Because he had given the creature life, he might have expected at least some small measure of gratitude from it. He had received none.
    Forty of Victor’s people had perished here, trying to contain that powerful malignancy. And his people were not easy to kill. Just when all had seemed lost, the atrocity had been subdued and then destroyed.
    The stink of it had been terrible. All these later years, Victor thought he could still smell the thing.
    A twenty-foot section of the corridor wall had been broken down in the melee. Beyond that ragged hole lay the incubation room, dark and full of wreckage.
    Past the elevator, half the width of the corridor contained sorted and arranged piles of rubble: broken concrete, bent rebar, steel framing knotted as if it were rope.
    Victor had organized but not removed this rubble and ruin, leaving it as an enduring reminder to himself that even a genius of his caliber could sometimes be too smart for his own good. He had almost died here, that night.
    Now he took the elevator up to the ground floor, to which he had moved his main laboratory after the ungrateful tumor had been destroyed.
    The hallways were quiet. Eighty of the New Race worked in this facility, but they were all busy at their assigned tasks. They didn’t waste time gossiping around the water cooler.
    His immense lab was furnished with fantastic machines that would have mystified not just the average man but also any member of the faculty at any department of science at Harvard or MIT. The style was operatic Art Deco, the ambience Hitlerian.
    Victor admired Hitler. The Fuhrer knew talent when he saw it.
    In the 1930s and ‘40s, Victor had worked with Mengele and others in Hitler’s privileged scientific class. He had made considerable progress in his work before the regrettable Allied victory.
    Personally, Hitler had been charming, an amusing raconteur. His hygiene had been exemplary; he always looked scrubbed and smelled soapy.
    A vegetarian and an ardent animal lover, Hitler had a tender side. He would not tolerate mousetraps. He insisted that rodents be captures humanely and turned loose in the wild.
    The problem with the Fuhrer had been that his roots were in art and politics. The future did not belong either to artists or to politicians.
    The new world would not be built by nazism-communism-socialism. Not by capitalism, either.
    Civilization would not be remade or sustained by Christianity or by Islam. Neither by Scientologists nor by the bright-eyed adherents of the deliciously solipsistic and paranoid new religion encouraged by The Da Vinci Code .
    Tomorrow belonged to scientism. The priests of scientism were not merely robed clerics performing rituals; they were gods, with the power of gods. Victor himself was their Messiah.
    As he crossed the vast lab, the ominous-looking machines issued oscillating hums, low pulsing throbs. They ticked and hissed.
    He felt at home here.
    Sensors detected his approach to his desk, and the screen of his computer brightened. On the monitor appeared the face of Annunciata, his secretary at the Hands of Mercy.
    “Good morning, Mr. Helios.”
    Annunciata was quite beautiful but not real. She was a three-dimensional digital personality with an artificial but wonderfully smoky voice that Victor had designed to humanize his otherwise somber work environment.
    “Good morning, Annunciata.”
    “The corpse of Detective Jonathan Harker has been delivered by your people in the medical examiner’s office. It awaits you in the dissection room.”
    An insulated carafe of hot coffee and a plate of pecan-and-chocolate-chip cookies were on Victor’s desk. He picked up a cookie. “Continue.”
    “Randal Six has disappeared.”
    Victor frowned. “Explain.”
    “The midnight census found his room deserted.”
    Randal Six was one of many experiments currently living at the Hands of Mercy. Like his five predecessors, he had been created as an autistic with an obsessive-compulsive tendency.
    Victor’s intention in designing this afflicted creature had been to determine if such a developmental disability could have a useful purpose. Controlling an autistic person by the use of a carefully engineered obsessive-compulsive disorder, one might be able to focus him on a narrow series of functions usually assigned to machines in contemporary factories. Such a worker might perform a repetitive task hour after hour, weeks on end, without
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