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This Is Where I Leave You

This Is Where I Leave You

Titel: This Is Where I Leave You
Autoren: Jonathan Tropper
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squeezes my hand, avoiding direct eye contact, and I feel Jen’s absence like a festering wound.
    “It’s okay to cry,” Mom says quietly.
    “I know.”
    “You can laugh too. There’s no correct emotional response.”
    “Thanks, Mom.”
    Mom is a shrink, obviously. But she’s more than that. Twenty-five years ago she wrote a book called Cradle and All: A Mother’s Guide to Enlightened Parenting. The book was a national phenomenon and turned my mother into something of a celebrity expert on parenting. Predictably, my siblings and I were screwed up beyond repair. You’ve seen Cradle and All, thick as an almanac, with red and black borders and cover art of a naked toddler morphing into a teenager. The book starts with breast-feeding and toilet training and goes all the way through puberty (defecation to masturbation, we used to say), advising mothers in the same frank, maternal, gratuitously shocking tone Mom often used with us. On the back cover is a photo of Mom striking a sex kitten pose on our living room couch. There’s a tenth-anniversary edition, a fifteenth, a twentieth, and next year they will be releasing an updated twenty-fifth-anniversary edition, and Mom will do a twenty-city signing tour and all the major talk shows. There has been talk of an Oprah segment and the possibility of a face-lift before the book tour.
    “Today we say good-bye to Morton Foxman, beloved husband and father, dear brother, and cherished friend.”
    The speaker is Boner Grodner. He was Paul’s best friend when we were kids. Now he’s Rabbi Charles Grodner of Temple Israel, but to those of us who grew up with him, who were invited to the back of the school bus, where he presided over private viewings of purloined pornography 36from his father’s extensive collection, he will always be Boner. When Boner wasn’t smoking pot with Paul and trying to discern the hidden messages in Led Zeppelin songs, he was holding forth shamelessly on the pros and cons of various sex acts.
    “Mort was never a big fan of ritual ...,” Boner says.
    “Will you look at that,” Wendy says, elbowing me in the ribs. I follow her gaze across the cemetery to the access road, where a black Porsche has noisily pulled up. And for a moment, I don’t recognize him, this man attempting to knot his tie while running across the wet lawn in his rumpled suit pants and motorcycle jacket like he’s finishing a marathon. And then I do, from the way he runs shamelessly toward us, without the slightest hint of decorum. He is wearing moccasins, of all things.
    “Phillip,” my mother says softly, and signals Boner to stop. By this point Phillip’s given up on the tie, which he leaves hanging unknotted around his neck. He comes running down the lawn and then slides the last few feet, like we used to do on the slight slope of our front lawn when it rained, coming to a stop right in front of my mother.
    “Mom,” he says, and throws his wet arms around her.
    “You came,” she says, overjoyed. Phillip is her baby, and he’s spent his life reeling in the slack as fast as she can cut it for him.
    “Of course I came,” he says. He pulls back and looks up at me.
    “Judd.”
    “Hi, Phillip.”
    He grabs my arm and pulls me into a dramatic hug. Phillip, my baby brother, who used to climb into bed with me, smelling of lavender baby shampoo, and press his smooth, rounded cheek against mine, gently pulling at my arm hairs as I told him stories. He loved to guess the morals of Aesop’s fables. Now he smells of cigarettes and mouthwash, and he’s put on a good ten pounds or so since I last saw him, most of it in his face. I feel the familiar wave of loss and regret that always seems to accompany our infrequent reunions. I’d give anything for him to be fi ve again, happy and unbroken.
    He reaches past me to shake hands with Paul, who reciprocates quickly and self-consciously, trying to speed things along and get the funeral back on track. Phillip kisses Wendy’s cheek.
    “You got fat,” she whispers.
    “You got old,” he responds in a stage whisper, loud enough for everyone to hear. Behind him, Boner clears his throat. Phillip turns around and straightens his jacket. “Sorry, Boner. Please continue.” Wendy hits the back of his head. “Charlie! Sorry. Rabbi Grodner,” he says quickly, but the chuckles have already rippled through the crowd and Boner looks momentarily homicidal.
    “Before I call on Mort’s eldest son, Paul, to remember his father for
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