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Phantom Prey

Phantom Prey

Titel: Phantom Prey
Autoren: John Sandford
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seen had been a screwup.
    “The question is not whether you can hit something at seven yards. The question is whether you can sort out all the problems, when you’ve got a loaded gun in your hand,” he’d said, a rehearsed speech that might have been written on a 3x5 card. “You have no time, but you have to figure out what’s happening—what’s going on. To shoot or not to shoot: it all comes down to a tenth of a second, in the dark. You don’t want to shoot your kid or a neighbor. You don’t want to not shoot a junkie with a butcher knife coming for your throat.”
    There wouldn’t be a neighbor in the house. The neighborhood was private, standoffish. People drew their friends from their businesses, from their schools, not from the street. The housekeeper was long gone.
    Her daughter? Frances had the security code but she always called ahead.
    She called out: “Francie?”
    No response.
    Again, louder. “Fran? Are you there?”
    Starting to feel foolish, now. Then she remembered what the gun instructor had told her. “About the time you start to feel like an idiot, that’s when they’ll get you. If you’re scared enough to have the gun out, then the situation is serious enough that you can’t be abashed .”
    She remembered the word. Abashed. Was she abashed?
    She was back at the door. Kept the muzzle of the gun pointing straight ahead, called out, “Frances, I’ve got a gun, because I’m scared. Don’t jump out, if this is a joke. Frances?”
    She let go of the gun with her left hand, reached around the doorjamb and flicked on the lights. The entry was clear, and as far as she could see, the kitchen. She was inside now, the house still giving off the empty feel. Edged forward.
    The hair on her arms was up again and she reached inside the kitchen door and hit another block of lights. They came on all at once, three circuits’ worth, fifteen lights in all, the kitchen as brightly lit as a stage. She glanced behind her, at the garage, then back toward the dark door beyond the kitchen.
    Not right; a few lizard-brain cells were screaming at her. Not right.
    “Frances? Fran? Are you there? Helen? Are you still here, Helen?” Helen was the housekeeper.
    No answer. She let the gun drop to her side. Then, remembering what the cop said, brought it back up, and let the muzzle lead her through the house. Halfway through, she knew she was alone. There was no tension in the air, no vibration. She cleared the last bedroom, exhaled, smiled at her own foolishness.
    This hadn’t happened before. There was something . . . She got to the kitchen, sniffed, and looked around. Put the gun on the counter, opened the refrigerator, pulled out the bag of pre-cut celery sticks, took out two and crunched them.
    Huh.
    Alyssa austin leaned against the counter, a small woman, blond, fair-complected, but not delicate: she had a physical density to her face and hands that suggested the martial arts, or an extreme level of exercise. She looked at the gun on the counter, and half-smiled; it was dark and curved and weighted with presence, like a successful work of art.
    She was finishing the second celery stick when she noticed the dark streaks on the wallpaper at the edge of the hall that led from the kitchen to the dining room. The streaks were broom-straw-length and -breadth, splaying out from a center, dark but not black, like flower petals, or a slash from a watercolor brush. Not knowing exactly why, she stepped over and touched them—and felt the tackiness under her finger.
    Pulled her finger back and found a spot of crimson. She knew instantly and without a doubt that it was blood, and relatively fresh. Saw a small, thinner streak farther down the wall. Backed away . . .
    SCARED NOW. Picked up the gun, backed into the kitchen, groped for the phone, punched in 9-1-1. She did it with a bloody finger, not realizing, leaving red dots on the keys.
    The operator, an efficient-sounding woman, asked, “Is this an emergency? ”
    “There’s blood in my house,” she said.
    “Are you in danger?” the operator asked.
    “No, I don’t . . . I don’t . . .”
    “Is this Mrs. Austin?”
    “Yes.” She didn’t know how the operator had gotten her name, didn’t think about it. “I just came home.”
    “Go someplace safe, close by.”
    “I need the police.”
    “We are already on the way,” the operator said. “Officers will be there in about a minute. Are you safe?”
    “I uh . . . don’t know.” She thought, The
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