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The Summer Without Men

The Summer Without Men

Titel: The Summer Without Men
Autoren: Siri Hustvedt
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own body, and I found I could not bear them. And so I left Brooklyn and went home for the summer to the backwater town on what used to be the prairie in Minnesota, out where I had grown up. Dr. S. was not against it. We would have telephone sessions once a week except during August, when she took her usual vacation. The University had been “understanding” about my crack-up, and I would return to teaching in September. This was to be the Yawn between Crazed Winter and Sane Fall, an uneventful hollow to fill with poems. I would spend time with my mother and put flowers on my father’s grave. My sister and Daisy would come for visits, and I had been hired to teach a poetry class for kids at the local Arts Guild. “Award-Winning Home-Grown Poet Offers Workshop” ran a headline in the Bonden News. The Doris P. Zimmer Award for Poetry is an obscure prize that dropped down on my head from nowhere, offered exclusively to a woman whose work falls under the rubric “experimental.” I had accepted this dubious honor and the check that accompanied it graciously but with private reservations only to find that ANY prize is better than none, that the term “award-winning” offers a useful, if purely decorative gloss on the poet who lives in a world that knows nothing of poems. As John Ashbery once said, “Being a famous poet is the not the same thing as being famous.” And I am not a famous poet.
    *   *   *
     
    I rented a small house at the edge of town not far from my mother’s apartment in a building exclusively for the old and the very old. My mother lived in the independent zone. Despite arthritis and various other complaints, including occasional bursts of dangerously high blood pressure, she was remarkably spry and clear-headed at eighty-seven. The complex included two other distinct zones—for those who needed help, “assisted living,” and the “care center,” the end of the line. My father had died there six years earlier and, although I had once felt a tug to return and look at the place again, I had gotten no farther than the entryway before I turned around and fled from the paternal ghost.
    *   *   *
     
    “I haven’t told anybody here about your stay in the hospital,” my mother said in an anxious voice, her intense green eyes holding mine. “No one has to know.”
     
I shall forget the drop of Anguish
    that scalds me now—that scalds me now!
    Emily Dickinson No. #193 to the rescue. Address: Amherst.
    Lines and phrases winged their way into my head all summer long. “If a thought without a thinker comes along,” Wilfred Bion said, “it may be what is a ‘stray thought’ or it could be a thought with the owner’s name and address upon it, or it could be a ‘wild thought.’ The problem, should such a thing come along, is what to do with it.”

    *   *   *
     
    There were houses on either side of my rental—new development domiciles—but the view from the back window was unobstructed. It consisted of a small backyard with a swing set and behind it a cornfield, and beyond that an alfalfa field. In the distance was a copse of trees, the outlines of a barn, a silo, and above them the big, restless sky. I liked the view, but the interior of the house disturbed me, not because it was ugly but because it was dense with the lives of its owners, a pair of young professors with two children who had absconded to Geneva for the summer on some kind of research grant. When I put down my bag and boxes of books and looked around, I wondered how I would fit myself into this place, with its family photographs and decorative pillows of unknown Asian origin, its rows of books on government and world courts and diplomacy, its boxes of toys, and the lingering smell of cats, blessedly not in residence. I had the grim thought that there had seldom been room for me and mine, that I had been a scribbler of the stolen interval. I had worked at the kitchen table in the early days and run to Daisy when she woke from her nap. Teaching and the poetry of my students—poems without urgency, poems dressed up in “literary” curlicues and ribbons—had run away with countless hours. But then, I hadn’t fought for myself or, rather, I hadn’t fought in the right way. Some people just take the room they need, elbowing out intruders to take possession of a space. Boris could do it without moving a muscle. All he had to do was stand there “quiet as a mouse.” I was a noisy mouse, one of those that
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