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Sharp_Objects

Sharp_Objects

Titel: Sharp_Objects
Autoren: Gillian Flynn
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full of frosting-cake dresses. They crossed their fingers and tried again but still got Tiffanie. Now they were nervous, the welcome home less triumphant. When Mrs. Nash got knocked up once again, her husband bought a tiny baseball glove to give the lump in her belly a nudge in the right direction. Imagine the righteous dismay when Ann arrived. She got slapped with some family name—didn’t even get the extra e to ornament it a bit.
    Thank goodness for Bobby. Three years after the disappointing Ann—was he an accident or one last shot of brio?—Bobby was given his dad’s name, was doted on, and the little girls suddenly realized how extraneous they were. Especially Ann. No one needs a third girl. But now she’s getting some attention.
    I took my second bourbon in one smooth shot, unclenched my shoulders, gave my cheeks a quick slap, got in my big blue Buick, and wished for a third drink. I’m not one of those reporters who relishes picking through people’s privacy. It’s probably the reason I’m a second-rate journalist. One of them, at least.
    I still remembered the way to Grove Street. It was two blocks behind my high school, which served every kid within a seventy-mile radius. Millard Calhoon H.S. was founded in 1930, Wind Gap’s last cough of effort before sinking into the Depression. It was named for the first mayor of Wind Gap, a Civil War hero. A Confederate Civil War hero, but that made no never mind, a hero nonetheless. Mr. Calhoon shot it out with a whole troop of Yankees in the first year of the Civil War over in Lexington, and single-handedly saved that little Missouri town. (Or so implies the plaque inside the school entrance.) He darted across farmyards and zipped through picket-fenced homes, politely shooing the cooing ladies aside so they wouldn’t be damaged by the Yanks. Go to Lexington today and ask to see Calhoon House, a fine bit of period architecture, and you can still spot northern bullets in its planks. Mr. Calhoon’s southern bullets, one assumes, were buried with the men they killed.
    Calhoon himself died in 1929 as he closed in on his centennial birthday. He was sitting at a gazebo, which is now gone, in the town square, which has been paved over, being feted by a big brass band, when suddenly he leaned into his fifty-two-year-old wife and said, “It’s all too loud.” Then he had a massive coronary and pitched forward in his chair, smudging his Civil War finery in the tea cakes that had been decorated with the Stars and Bars just for him.
    I have a special fondness for Calhoon. Sometimes it is all too loud.

    T he Nashs’ house was much as I’d expected, a late-’70s piece of generica like all the houses on the west side of town. One of those homely ranch houses featuring the garage as its central point. As I drove up, a messy blond boy was sitting in the driveway in a Big Wheel several sizes too small for him, grunting with the effort to pedal the plastic bike. The wheels just spun in place under his weight.
    “Want a push?” I said as I got out of the car. I’m not good with children as a rule, but it seemed an attempt wouldn’t hurt. He looked at me silently for a second, stuck a finger in his mouth. His tank top slipped up as his round belly popped out to greet me. Bobby Jr. looked stupid and cowed. A boy for the Nashes, but a disappointing one.
    I stepped toward him. He jumped off the Big Wheel, which remained clamped to him for a few steps, jammed on his body as it was, then clattered off sideways.
    “Daddy!” He ran wailing toward the house as if I’d pinched him.
    By the time I reached the front door, a man appeared. My eyes focused behind him, at a miniature fountain gurgling in the hallway. It had three tiers shaped like shells, with a statue of a little boy perched on top. Even from the other side of the screen door, the water smelled old.
    “Can I help you?”
    “Are you Robert Nash?”
    He looked suddenly wary. It was probably the first question the police had asked him when they told him his daughter was dead.
    “I’m Bob Nash.”
    “I’m so sorry to bother you at home. I’m Camille Preaker. I’m from Wind Gap.”
    “Mmhmmm.”
    “But now I’m with the Daily Post in Chicago. We’re covering the story…. We’re here because of Natalie Keene, and your daughter’s murder.”
    I braced for yelling, door slams, curses, a punch. Bob Nash stuffed both hands deep into his front pockets and leaned back on his heels.
    “We can talk in the
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