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Lost Light

Titel: Lost Light
Autoren: Michael Connelly
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forensic technicians for DNA typing. Her purse was taken and never recovered.
    Time of death was established as between 11 p.m. and midnight. Her body was found by another resident in the apartment building when he left his home at 12:30 a.m. to take his dog for a walk.
    That was where I came in. At the time I was a detective third grade assigned to the Hollywood Division of the Los Angeles Police Department. I had two partners. We worked in threes instead of pairs back then as part of an experimental configuration designed to close cases quickly. Kizmin Rider and Jerry Edgar and I were alerted by pager and assigned the case at 1 a.m. We met at Hollywood Division, picked up two Crown Vics and then drove to the crime scene. We saw Angella Benton’s body for the first time approximately two to three hours after she had been killed.
    She lay on her side on brown tile that was the color of dried blood. Her eyes were open and bugged, distorting what I could tell had been a pretty face. The corneas were hemorrhaged. I noticed that her exposed chest was almost flat. It looked almost boyish and I thought maybe this had been a private embarrassment to her in a city where physical attributes seemed often to outweigh those on the inside. It made the tearing open of her blouse and lifting of her bra all the more of an attack, as if it were not enough to take her life, the killer also had to expose her most private vulnerability.
    But it was her hands that I would remember the most. Somehow when her lifeless body was dropped to the tile, her hands fell together. Off to the left side of her body, they were directed upward from her head, as if she were reaching out to someone, almost beseechingly, begging for something. They looked like hands from a Renaissance painting, like the hands of the damned reaching heavenward for forgiveness. In my life I have worked almost a thousand homicides and no positioning of a fallen body ever gave me such pause.
    Perhaps I saw too much in the vagaries of how she had fallen. But every case is a battle in a war that never ends. Believe me, you need something to carry with you every time you go into the fight. Something to hold on to, an edge that drives you or pulls you. And it was her hands that did it for me. I could not forget her hands. I believed they were reaching to me. I still do.
    We got an immediate jump on the investigation because Kizmin Rider recognized the victim. They had been acquaintances. Rider knew her by first name from the gym on El Centro where they both worked out. Because of the irregular hours that came with her job on the homicide table Rider could not keep a regular workout schedule. She exercised at different times on different days, depending on her time and the case she was working. Often she had encountered Benton in the gym and they had struck up a conversational relationship while they worked side by side StairMasters.
    Rider knew Benton was trying to establish a career in the film business on the production side. She worked as a production assistant for Eidolon Productions, the company headed by Alexander Taylor. Production schedules used all twenty-four hours on the clock, depending on the availability of locations and personnel. It meant that Benton had a gym schedule similar to Rider’s. It also meant that Benton had little time for relationships. She told Rider that she’d had only two dates in the past year and that there was no man in her life.
    It was only a surface friendship and Rider had never seen Benton outside of the gym. They were both young black women trying to keep their bodies from betraying them as they went about busy professional lives and attempted to scale steep ladders in different worlds.
    Nevertheless, the fact Kiz knew her gave us a good jump. We knew right away who we were dealing with-a responsible and confident young woman who cared about both her health and her career. It eliminated a variety of lifestyle angles we might have mistakenly pursued. The negative from the break was that it was the first time Rider had ever come across someone she knew as the victim of a homicide she’d been assigned to investigate. I noticed right away at the scene that it put a pause in her step. She usually was quite vocal when breaking down a crime scene and developing an investigative theory. At this scene she was silent until spoken to.
    There were no witnesses to the murder. The vestibule was hidden from street view and offered the killer a
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