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In Death 16 - Portrait in Death

In Death 16 - Portrait in Death

Titel: In Death 16 - Portrait in Death
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J D Robb - Dallas 16 - Portrait in Death
     
     
Copyright 2003 by Nora Roberts
     
     
The light of the body is in the eye
     
-New Testament
     
     
A mother is a mother still,
     
The holiest thing alive.
     
-Samuel Coleridge
     
     
Prologue
     
     
We begin to die with our first breath. Death is inside us, ticking closer, closer, with every beat of our heart. It is the end no man can escape. Yet we cling to life, we worship it despite its transience. Or perhaps, because of it.
     
     
But all the while, we wonder of death. We build monuments to it, revere it with our rituals. What will our death be? we ask ourselves. Will it be sudden and swift, long and lingering? Will there be pain? Will it come after a long, full life, or will we be cut off-violently, inexplicably-in our prime?
     
     
When is our time? For death is for all time.
     
     
We create an afterlife because we cannot rush through our days chased by the specter of an end. We make gods who guide us, who will greet us at golden gates to lead us into an eternal land of milk and honey.
     
     
We are children, bound hand and foot by the chains of good with its eternal reward, and evil with its eternal punishment. And so, most never truly live, not freely.
     
     
I have studied life and death.
     
     
There is only one purpose. To live. To live free. To become. To know, with each breath, you are more than the shadows. You are the light, and the light must be fed, absorbed from any and all sources. Then, the end is not death. In the end we become the light.
     
     
They will say I am mad, but I have found sanity. I have found Truth and Salvation. When I have become, what I am, what I do, what I have created will be magnificent.
     
     
And we will all live forever.
     
     
Chapter 1
     
     
Life didn't get much better. Eve knocked back her first cup of coffee as she grabbed a shirt out of the closet. She went for thin and sleeveless as the summer of 2059 was currently choking New York, and the rest of the Eastern seaboard, in a tight, sweaty grip.
     
     
But hey, she'd rather be hot than cold.
     
     
Nothing was going to spoil her day. Absolutely nothing.
     
     
She pulled on the shirt, then with a quick glance at the door to make certain she was alone, did a fast, hip-shaking boogie to the AutoChef for another hit of coffee. A glance at her wrist unit told her she had plenty of time if she wanted breakfast, so what the hell, she programmed it for a couple of blueberry pancakes.
     
     
She went back to the closet for her boots. She was a tall, lean woman, currently wearing khaki-colored pants and a blue tank. Her hair was short, choppy in style, and brown, with lighter streaks teased out by that mean and brilliant sun. It suited her angular face, with its wide brown eyes and generous mouth. There was a shallow dent in her chin-a feature her husband, Roarke, liked to trace with a fingertip.
     
     
Despite the heat she'd face when she stepped outside the big, blissfully cool bedroom, outside the big, blissfully cool house, she pulled out a lightweight jacket. And tossed it over the weapon harness she had draped over the back of the sofa in the sitting area.
     
     
Her badge was already in her pocket.
     
     
Lieutenant Eve Dallas grabbed her coffee and pancakes out of the AutoChef, plopped down on the sofa, and prepared to enjoy a luxurious breakfast before clocking in for a day as a murder cop.
     
     
With a feline's psychic sense when food was involved, the fat cat Galahad appeared out of nowhere to leap on the sofa beside her and stare at her plate with his dual-colored eyes.
     
     
"Mine." She forked up pancakes, and stared back at the cat. "Roarke may be an easy mark, pal, but I'm not. Probably already been fed, too," she added as she propped her feet on the table and continued to plow through her breakfast. "Bet you were down in the kitchen at dawn sidling around Summerset."
     
     
She leaned down until they were nose to nose. "Well, there won't be any of that for three beautiful, wonderful, mag-ass weeks. And do you know why? Do you know why?"
     
     
Overcome with joy, she caved and gave the cat a bite of pancake. "Because the skinny, tight-assed son of a bitch is going on vacation! Far, far away." She almost sang it, riding on the bliss of knowing Roarke's majordomo, her personal nemesis, wouldn't be there to irritate her that night, or for many nights to come.
     
     
"I have twenty-one Summerset-free days ahead of me, and I
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